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Thread: Dictation for Beginners on Tuesday 10th August, 2010.

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    Nợ đời, nợ người! Ur_love's Avatar
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    Default Dictation for Beginners on Tuesday 10th August, 2010.

    You Can See This Art for Free on Streets Around the World (Part 2)



    9/Also, because it is illegal ___ ___ public and private ___ without ___, street artists usually work secretly.

    Also, because it is illegal TO PAINT public and private PROPERTY without PERMISSION, street artists usually work secretly.

    10/This ___ nature of street art and ___ ___ forms make it hard to ___ exactly.

    This SECRETIVE nature of street art and ITS COUNTLESS forms make it hard to DEFINE exactly.

    11/And ___ have ___ ___ about ___ movement.

    And PEOPLE have DIFFERENT OPINIONS about THE movement.

    12/Some think street art ___ a ___ and ___ ___.

    Some think street art IS a CRIME and DESTROYS PROPERTY

    13/But ___ see this art as a rich ___ of ___-___cultural ___.

    But OTHERS see this art as a rich FORM of NON-TRADITIONAL cultural EXPRESSION.

    14/Many ___ say the movement ___ in New York City in the ___ ___ .

    Many EXPERTS say the movement BEGAN in New York City in the NINETEEN SIXTIES.

    15/Young ___ would use paint in special ___ to ___ their “___ ” on walls and train cars around the city.

    Young ADULTS would use paint in special CANS to SPRAY their “TAG” on walls and train cars around the city.

    16/This ___ was a name they ___ to identify ___ and their ___ .

    This TAG was a name they CREATED to identify THEMSELVES and their ARTWORK.


    17/This ___ ___ of writing is also ___ ___ .

    This COLORFUL STYLE of writing is also CALLED GRAFFITI.

    18/___ is ___ ___ and ___.

    IT is VISUALLY EXCITING and ENERGETIC.

    19/ Some ___ paintings were signs marking the ___ of city ___ or illegal crime ___.

    Some GRAFFITI paintings were signs marking the TERRITORIES of city GANGS or illegal crime GROUPS.

    20/___ also became a ___ movement ___ the street ___ of young people living in big cities.

    GRAFFITI also became a SEPARATE movement EXPRESSING the street CULTURE of young people living in big cities.

    21/___ art ___ social and ___ ___ .

    GRAFFITI art REPRESENTED social and POLITICAL REBELLION.

    22/This was art that ___ the ___ ___ of culture and ___ .

    This was art that REJECTED the ACCEPTED RULES of culture and POWER.

    23/___ ___ could travel around ___ of the city making ___ paintings for everyone to see.

    THESE ARTISTS could travel around AREAS of the city making CREATIVE paintings for everyone to see.

    24/The artists could become ___ ___ being ___ ___ .

    The artists could become FAMOUS WITHOUT being OFFICIALLY RECOGNIZED.

    25/Sometimes this street art ___ a ___ between ___ and city ___.

    Sometimes this street art CREATED a DISPUTE between ARTISTS and city OFFICIALS.

    26/___ artists created their ___ and city officials ___ ___ over them.

    GRAFFITI artists created their IMAGES and city OFFICIALS QUICKLY painted over them.

    27/___ the ___ ___ ___ New York ___ who began as street artists became very famous.

    DURING the NINETEEN EIGHTIES two New York PAINTERS who began as street artists became very famous.

    28/Keith Haring and Jean Michel Basquiat ___ creating ___ ___ on the ___.

    Keith Haring and Jean Michel Basquiat STARTED creating THEIR PAINTINGS on the STREETS.

    29/But soon they began ___ their work in ___ ___ and ___ .

    But soon they began SHOWING their work in ART GALLERIES and MUSEUMS.

    30/This is when street art started to become ___ ___ the more ___ ___ culture.

    This is when street art started to become PART OF the more GENERAL POPULAR culture.


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